Painting a mouse portrait by Alan F. Beck |
||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||
After deciding what to paint I do research on the painting. In this case I centered on the central figure of the little girl. I also research the artist , history, composition, color pallet and try to get into his head. Using my computer, I layout and compose the painting to fit my standard mouse size painting of 4" x 6". Using one of my many mouse head pictures I have on file I compose it on the figure and use this as my paintng reference.
Note: the white outline on the reference indicates where the frame opening is so I don't accindentally crop out an important feature. |
||||||||||||||||||||||||||||||||||||||||||
When I'm satisfied with the layout and size, I tape down the paper and transfer a pencil outline to the water color paper. (Arches 140 lb. hot press) This is done by rubbing a pencil on the backside of a print out of my reference and tracing the outline shapes on to the paper.
|
||||||||||||||||||||||||||||||||||||||||||
I wet the paper with water and let it dry. This stretches the paper and surface. Using water colors, I start laying in the background, working back to front.
I've eliminated two of the figures in the original painting to simplify the composition. I sometimes play music, in this case renaissance dance music, to get in the mood of the piece while painting. |
||||||||||||||||||||||||||||||||||||||||||
I start laying in the head starting with the eyes. The eyes are dark in a mouse and this helps me establish my values as I progress through the painting.
Like painting a human portrait, I try to capture the personality of the subject in the original painting but as a mouse. |
||||||||||||||||||||||||||||||||||||||||||
I start working down the painting. Blocking in shapes and folds in the dress. I also started on the right arm putting in the folds and details. | ||||||||||||||||||||||||||||||||||||||||||
Here I've completed the top of the dress, the left arm and both hands. Adding ruffles, folds and buttons. I've also started putting folds in the top of the skirt. | ||||||||||||||||||||||||||||||||||||||||||
I've worked down the rest of the dress working wet on wet then adding details. I scrumbled in tone to indicate embroidery work in the dress. | ||||||||||||||||||||||||||||||||||||||||||
After looking at the painting the next day, I decided to darken the background by glazing a light mixture of ultramarine blue and burnt umber to bring out the figure more from the background.
|
||||||||||||||||||||||||||||||||||||||||||
Here is the final water color painting with a gray mat. I do this to see how the work might look when it is framed. "Las Mouseninas" |
||||||||||||||||||||||||||||||||||||||||||
All original artwork on this site is copyright by Alan F. Beck. Unauthorized use of images is forbidden. If you wish to use any images, please e-mail me for permission . To purchase original art or prints, please e-mail for details.
alanfbeck@earthlink.net |
||||||||||||||||||||||||||||||||||||||||||
|